The nonlinear editor portion feels like Premiere and FCP X had a baby, but left out FCP X’s Magnetic Timeline feature.
Would it stand up to 10 hours of abuse with content over 45 minutes? It probably would, but much like with Premiere, I would probably split my edits in scenes or acts to avoid slowdowns, especially when importing things like OBJ files or composites. It feels prosumer-y, in a YouTuber or content-generator capacity. In my opinion, HitFilm 12 lands itself right where Premiere and FCP X live. In addition, being an Avid user for over 15 years, I am used to a rock-solid NLE with only a few hiccups here and there. I have become more and more of a Resolve convert over the past two years, so I am constantly comparing everything to that. So how doees HitFilm Pro 12 compare to today’s modern software packages? That is an interesting question. Threaded rendering has also been added, so Windows users who have Intel and Nvidia hardware will see increased GPU speeds, the ability to add title directly in the editor and more. Some additional updates to HitFilm Pro 12 include a completely redesigned user interface that resembles Premiere Pro… kind of. If you are within your support window, or you continue to purchase HitFilm, FXhome will work with you to get your favorite After Effects plugins working directly inside of HitFilm.
Not all plugins will work since there are so many, but in a video released after NAB 2019, HitFilm said plugins like Andrew Kramer’s Video CoPilot Element3D and ones from Red Giant are on the horizon. One of the most interesting and recent updates to HitFilm Pro 12 is the ability to use After Effects plugins. This is something I use constantly and love. Not only does it have the professional functionality that I am used to, such as trimming, color scopes and more, but it also has BorisFX’s Mocha planar tracking plugin built in for no extra cost. I often come home and want to work in something that has everything inside, and that is where HitFilm Pro 12 lives. That doesn’t mean you won’t want to buy third-party plugins, but you are less likely to need them with HitFilm’s expansive list of native features and tools.Īt my day job, I use Premiere, After Effects, Media Composer and Resolve. without having to necessarily fork over money for a bunch of expensive third-party plugins. In my eyes, HitFilm Pro is a great tool set for independent filmmakers, social media content generators and any editor who goes beyond editing and dives into topics like 3D modeling, tracking, keying, etc. Not only does that price include 12 months of updates and tech support, but one license can be used on up to three computers simultaneously.
Technically, HitFilm Pro 12 is a non-subscription-based nonlinear editor, compositor and VFX suite that costs $299.
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